原标题：\"来自网络的数据 人工智能时代摄影图像的空间转换\" 即将亮相天津

来自网络的数据

“人工智能时代摄影图像的空间转换”

天津站 (国家艺术基金资助项目）

2018.12.28（FRI）-2019.02.17（SUN）

项目统筹／刘 锋

Coordinator/ Feng Liu

展览主持／马 驰

Exhibition Host/ Chi Ma

展览统筹／李 伟

Exhibition Coordinator/ Wei Li

开幕时间／2018.12.28 13:00 PM

Opening time /2018.12.28 13:00 PM

展览时间／12.28（FRI）-02.17（SUN）

Exhibition time / 12.28 (FRI) -02.17 (SUN)

展览地点／天津市美术馆2号展厅

Venue / Hall 2, Tianjin Art Museum

参展艺术家／安吉尔, Bobby Davidson, 陈荣辉, 陈玉萍, 邓媛琼, 范功庆, 冯冰凡, Gohar Dashti, 何博, 侯帅, 胡洁, 黄乖儿 汪润中, Jim Ramer, 赖昊熙, 冷文, 李天元，李同, 李洋, 刘芳, 刘翔宇, 柳迪, 孟珍, 苗冉, 彭晓霞, P·Seth Thompson, 清华医药学院, 任曙林, Ronnie Wright, 沈枭, 苏健, 孙洋, 王川, 王培全, 王鹏华, 王纬敏, 王雨蒙, 王左夫, 王一凡，吴雁泽，许瀚文，许迎，彦风 吴帆，杨紫娟，杨月，姚璐，于丰源，张锦婷，张妞，张伟杰，张韫琦，赵辉，赵锐，钟愉杰，朱竣炜

Artists participating /An Jier, Bobby Davidson, Chen Ronghui, Chen Yuping, Deng Yuanqiong, Fan Gongqing, Feng Bingfan, Gohar Dashti, He Bo, Hou Shuai, Hu Jie, Huang Guaier Wang Runzhong, Jim Ramer, Lai Haoxi, Leng Wen, Li Tianyuan, Li Tong, Li Yang, Liu Fang, Liu Xiang, Liu Di, Meng Zhen, Miao ran, Peng Xiaoxia, P Seth Thompson, Tsinghua Medical College, Ren Shulin, Ronnie Wright, Shen Xiao, Su Jian, Sun Yang, Wang Chuan, Wang Peiquan, Wang Penghua, Wang Weimin, Wang Yumeng, Wang Zuofu, Wang Yifan, Wu Yanze, Xu Hanwen, Xu Ying, Yan Feng Wu Fan, Yang Zijuan, Yang Yue, Yao Lu, Yu Fengyuan, Zhang Jinting, Zhang Niu, Zhang Weijie, Zhang Yunqi, Zhao Hui, Zhao Rui, Zhong Yujie, Zhu Yuwei

（排名依据首字母顺序，不分先后）

赞助单位／国家艺术基金

Sponsor/ China National Arts Fund

主办单位／清华大学

Host/ Tsinghua University

承办单位／天津市美术馆 河北科技大学

Undertaking Department/ Tianjin Art Museum Hebei University Of Sience And Technology

协办单位／清华大学美术学院摄影专业、中央美术学院摄影专业、天津美术学院实验艺术学院

Co-organizer/Department Of Photography. Academic of Art Desgin.THU Department Of Photography.Central Academic Of Fine ArtsSchool Of Experimental Art . Tianjin Academy Of Fine Arts

策展团队／贾默冉，李艺潇，刘芳，孟珍，周天

（排名依据首字母顺序，不分先后）

Curator Team /Jia Moran, Li Yixiao, Liu Fang, Meng Zhen, Zhou Tian

媒体支持／天津电视台、天津美术网、每日新报

Media support /Tianjin TV, TIANJIN ART, daily report,tianjinwe.com

展览支持／保富图中国

国家艺术基金2018年艺术推广资助项目

部分作品／

柳迪，《动物规则》

“简单图像奥秘”是清华大学美术学院主办的以摄影图像为主要线索的系列研究性学术展览。2015年在清华大学美术学院第一次展出、项目由学术研讨和展览两部分组成。第一届主题为 “简单图像奥秘——摄影、影像 、科技、新媒体术”。

王雨蒙，《空间着色》

展览主题旨在通过跨专业领域的对于摄影艺术的多媒体展示来探讨随着新的图像捕捉设备和新图像社交生态的高速发展所引发的当代摄影艺术功能及价值的变化 ，特别是摄影做重要的艺术媒介对于其他领域的影响和其超越视觉艺术范畴那部分当代社会价值可能性。

张伟杰，《移传记》

展览展出多国知名艺术家 ，设计师、摄影师、戏剧导演、电影导演、空间气象学专家 、诗人、免疫细胞学专家、图形图像学家、科技哲学家、3D 摄影建模师创作的80 余件摄影作品。展览受到国内外相关领域专家的一致好评。国际研讨会发言人数25人，与会专家200余人。

Ronnie Wright ，《Signs fails not》

\"The Mystery of Simple images” is a series of academic exhibitions held by Tsinghua University Academy of Arts Design with photographic images as the main clue. In 2015, It was exhibit for the first time atAcademy of Arts Design of Tsinghua University. The project consists of Two parts:\"The Mystery of Simple images - Photography, Imaging, Technology, New Media\".

JIM Ramer ，《MOON Original》

The exhibition aimed to explore the changes in the function and value of contemporary photographic art as a result of the rapid development of New image capture devices and new image social ecology with cross• disciplinary multimedia presentations of photographic art, especially the influence of photography enjoyed as important art media on other fields and its potential of contemporary social values which transcends the visual arts category.

汪林、王雷,《乙肝病毒衣壳蛋白》

More than 80 pieces of famous artists, designers, photographers, theatre directors, film directors, space meteorologists, poets, immunocytology experts, and graphic imaging scientists, technology philosophers, and 3D photo modelers. The exhibition has been well received by experts in related fields at Home and abroad. There were 25 speakers at the internatIonal seminar and more than 200 experts at the conference.

刘芳，《身份权利》

第二届主题为“简单图像奥秘—如果艺术可以重新再来”在2017年11月15 号 —12月15号作为17年“丽水国际摄影节”主题展展出。展览试图探讨信息时代的摄影作为艺术在当下社会将如何建构新的独立艺术语境，以及在新的文化语境中我们应如何阐释当代视觉思考与传统摄影成像之间的美学关系。

苏健，《纸媒的思考》

The second theme was “The Mystery of Simple images—If Art Can Come Again”, which was exhibited as the 17th” LIshui International Photography Festival” theme exhibition from November lSth, 2017 to December 2Sth, 2017. The exhibition attempted to explore how the imagery of the Information Age, which was regarded as a kind of art, would construct a new independent art context, and how we should interpret the aesthetic relationship between contemporary visual thoughts and traditional photographic imaging in a new cultural context. This exhibition is the third session of the Mystery of Simple images Series.

孙洋《Untitled》，宝丽来摄影拼贴

本次申请国家艺术基金项目为简单图像奥秘系列展览的第三届，主题为“简单图像奥秘—人工智能时代摄影图像的空间转换”，是继上两届展览主题的又一次延伸讨论。

王鹏华，《那些无人关心的对话》

旨在通过研究“摄影艺术”与“人工智能时代”到来以后关系的复杂性来探讨摄影作为艺术在面对新科技媒介介入后的图像美学延长体特征和与之而来的新的美学可能。

王左夫，《自述》

而在这个过程中传统摄影艺术的读图方法也会随着新的读图媒介呈现方式的改变而发生变化，拍摄过程本身以及新的读图逻辑的解构和重组是展览对于摄影从“平面呈现 ”到“物理空间占据”的一次新的实验与探索，而在这个过程中新的成像技术的应用和由此产生的新的图像功能必将和当代社会的发展发生紧密的联系。

张锦婷，《无题》

所以今天摄影艺术面临的挑战必然是技术的革新和当代图像文化供需关系突变所产生的新的艺术纬度的思考。展览将会在这样一个大的历史背景下探讨以下三个内容：

1）如何面对的新科技介入后艺术格局的变化;

2）从信息时代到人工智能时代读图方式和方法的变化；

3）科技目标模糊化后摄影艺术策略的变化

陈玉萍，《代码解构的现实》

项目由展览和研讨会组成将在清华大学、天津美术馆、河北科技大学展出，通过文化艺术的交流协同推进京津冀一体化。

张妞，《臆造》

Exhibition, which has been supported by the National Art Foundation.The theme is “The Mystery of Simple images—Space Conversion of Photographic Images in Artificial IntelLigence Age”. This is another extended discussion following the themes of the Last two exhibltions.The exhibition will be held at Tsinghua University, Hebei University of Science and Technology, and Tianjin Art Museum.

孟珍，《窗》

The aim is to explore the expended significance and new aesthetic possibilities of photography as a kind of art after the intervention of new technology media, by researching complex relationship between “photographic art” and “artificial intelligence era”.

彦风 吴帆，《月光》，丝网、铜板

In the process, the reading method of the traditional photographic art will change with the variation of the method with which the new reading medium is presented. The Process of shooting and the new deconstruction and reorganization of the reading logic is a new experiment and exploration of the transformation from “planar rendering” to “physical space occupation”.

何博，《从此没⼈和你说话》

Besides, the application of new imaging technology and the new image functions produced from it will establish close relationship with the development of society.

李天元，《空气AIR6-04 TSS.玻璃、夏、黄昏、西》

As a result, today, the challenge of photographic art must be the progress of technology and the new artistic thoughts generated by the sudden change of supply and demand in contemporary image culture.

王培全，《人造美景》

The exhibition will explore the following three contents in such a large historical context: How to face the changes in the art pattern after the intervention of new technologies; Changes in the methods of reading from the Information Age to the ArtificiaL Intelligence Age; Changes in photographic art strategies after the blurring of scientific and technological goals.

艺术家简介／

（排名依据首字母顺序，不分先后）

地址 /

天津市美术馆2号展厅

Tianjin Art Museum

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